91¶ÌÊÓƵ

, grants authority to the Board of Visitors to make rules and policies concerning the institution. Section 7.01(a)(6) of theÌýÌýgrants authority to the President to implement the policies and procedures of the Board relating to 91¶ÌÊÓƵ operations.

Ìý- Powers and Duties

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AccessionÌý- The formal act by which the 91¶ÌÊÓƵ accepts an object into the category of materials that it holds in the public trust.

AcquisitionÌý- The act of gaining possession of objects or properties.

CollectionÌý- A group of objects that directly relate to the purpose of the 91¶ÌÊÓƵ and the Baron and Ellin Gordon Art Galleries (the "Gallery"). Objects accessioned into a collection are cataloged, documented, preserved, and managed according to prescribed procedures meeting theÌý.

Collection CommitteeÌý- Appointed by the Dean of the College of Arts and Letters or designee as needed, this committee approves all recommendations of works to be accessioned and deaccessioned from the Collections. The Collection Committee consists of the Executive Director for the Arts, the Gallery Director-Curator, the Assistant Director, and at least one full-time ODU faculty member appointed by the Dean of the College of Arts and Letters.

Cultural PropertyÌý- A tangible asset that, on religious or secular grounds, is specifically designated by a culture as being of importance for archaeology, prehistory, history, literature, art or science, considered significant and valuable in itself and held in public trust.

DeaccessionÌý- The formal act of removing an art/craft object from the 91¶ÌÊÓƵ's collections in preparation for disposal or transfer of that object either by sale or donation.

Executive Director for the ArtsÌý- Appointed by the Dean of the College of Arts and Letters, the Executive Director for the Arts oversees arts initiatives on behalf of the 91¶ÌÊÓƵ, including related strategic planning, contracting, partnerships, public programming, educational series, budgets, revenue, venue usage, workforce, and promotional efforts.

Gallery Director-CuratorÌý- Appointed by the Dean of the College of Arts and Letters or designee, the Gallery Director-Curator is responsible for the general direction, oversight and operation of the Baron and Ellin Gordon Art Galleries (the "Gallery"), and is charged with maintaining, researching, and interpreting the collections, developing and mounting interpretative and educational exhibitions related to the mission of the Gallery, and serving the academic departments of the 91¶ÌÊÓƵ.

Instrumental PropertyÌý- A tangible asset related to the mission of the organization because it enables an organization to carry out its charitable purpose.

Visual ArtsÌý- Include the 91¶ÌÊÓƵ's permanent, study and ancillary collections as described in Section E.

This policy applies to all employees who are responsible for the proper use and control of 91¶ÌÊÓƵ-owned visual arts assets. Employees include all staff, administrators, faculty, full- or part-time, and classified or non-classified persons who are paid by the 91¶ÌÊÓƵ.

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1. Old Dominion 91¶ÌÊÓƵ is committed to the proper care and management of its visual arts in accordance with theÌý. This policy provides guidelines for the 91¶ÌÊÓƵ's collections-related activities in order to meet these professional standards.

   The types of collections maintained by the 91¶ÌÊÓƵ include the following:

   • Permanent Collection: The permanent collection is held for public exhibition, or research in furtherance of public service, rather than for financial gain.

   For the purpose of the 91¶ÌÊÓƵ's Baron and Ellin Gordon Galleries (the "Gallery"), permanent collections will be narrowly chosen so as to allow for the creation of a comprehensive and definitive collection in a selected area of study. As the Gallery continues to grow, these collections may become broader as the capacity for research and collecting increases. The range of the collection of the Gallery shall include works of 20th- and 21st-century American self-taught and folk art; works of modern and contemporary art; artworks by Old Dominion 91¶ÌÊÓƵ faculty, staff or students; works by regional artists, including artists from or working in Virginia and North Carolina; other works as deemed appropriate; and archives and interpretive material related to these works. The collection shall include documentation of individuals and cultural groups as well as objects that illustrate the history of arts and crafts in Virginia and North Carolina as well as American self-taught and folk art.

   • Study Collection: The Study Collection contains objects and artifacts useful to the development of hands-on educational programs presented by the Gallery and the 91¶ÌÊÓƵ in interpreting the permanent collections and the process of making the works in the collections. Objects in the study collection are readily available or duplicate objects and are not accessioned into the permanent collection. They may include printing plates, restrikes, photographic copies and reproductions, and other materials specific to creating works in the collection.
   • Ancillary Collection: The Ancillary Collection comprises objects not related directly to the purpose of the Gallery, but which contribute to and enhance the visual, educational and investment interests of the 91¶ÌÊÓƵ. Objects accessioned to ancillary collection are not part of the permanent collection but are maintained and afforded the same treatment and protections as objects in the permanent collections.

   The 91¶ÌÊÓƵ manages its visual arts collection through acquisition, accession and deaccession.

   1. Acquisition - The 91¶ÌÊÓƵ may acquire objects by donation, bequest, purchase, or transfer. Authority for the acquisition of objects for the 91¶ÌÊÓƵ's collections is held by the Gallery Director-Curator and a Collections Committee appointed as the need arises.

   2. Accession - Objects acquired by the 91¶ÌÊÓƵ and meeting the following criteria may be accessioned to one of its several collections.

      1. Objects acquired for the permanent collection must be relevant to, and consistent with, the Gallery's purposes and activities, which are research, preservation, exhibition, and/or interpretation of objects as described in the definition of the permanent collection above.

      2. The 91¶ÌÊÓƵ and Gallery must be able to provide proper care and storage for objects in all collections in keeping with professionally accepted standards.

      3. It is intended that objects in the permanent collection shall remain in the collection as long as they retain their physical integrity, their authenticity, and their relevance and usefulness for the purposes and activities of the 91¶ÌÊÓƵ and Gallery.

      4. The 91¶ÌÊÓƵ and its staff shall be in full compliance with 91¶ÌÊÓƵ, Federal, and international laws and regulations governing the acquisition, sale, and transfer of cultural and instrumental properties.

      5. Title to all objects acquired for the Permanent, Study, and Ancillary collections should be obtained free and clear without restrictions to use or future disposition.

      6. The present owner shall have a clear and verifiable title of ownership to the object and shall have obtained the object legally and ethically, as described by theÌý, prior to acquisition by the 91¶ÌÊÓƵ.

      7. The 91¶ÌÊÓƵ should be provided with (or allowed to copy) all existing documents and information in the present owner's possession that pertain to the historical significance and provenance of the object.

      8. Acceptance of the object will not result in major expense in conservation disproportionate to its usefulness.

   3. Deaccession - The 91¶ÌÊÓƵ and Gallery have the right to deaccession in order to dispose of or transfer objects from its collections after due consideration in a manner consistent with professionally accepted standards and in the best interest of the 91¶ÌÊÓƵ and the Gallery. An object recommended for deaccession must meet at least one of the following criteria:

      1. The object has ceased to have relevance and consistency with the 91¶ÌÊÓƵ's or Gallery's purposes and activities.

      2. The object has deteriorated beyond usefulness and/or the 91¶ÌÊÓƵ's or Gallery's ability to conserve it.

      3. The object is made of hazardous materials or is actively decomposing in a manner that directly affects the condition of other objects and/or the health and safety of the 91¶ÌÊÓƵ community.

      4. The 91¶ÌÊÓƵ or Gallery is unable to continue to provide care and storage for the object in keeping with professionally accepted standards.

      5. The object's care and storage are more expensive than the value of the object as it relates to the 91¶ÌÊÓƵ's or Gallery's purposes and activities.

      6. The object has failed to retain its identity or authenticity.

      7. The object is replaced with a similar object of greater significance, quality, and better condition.

      8. The object is subject to legal and American Alliance of Museums (AAM) ethical standards including but not limited to issues arising from illegal import or export from country of origin, stolen property, or property consisting of a controlled substance.

      In accordance with AAM ethical standards, deaccessioned objects will not be sold or given, publicly or privately, to any 91¶ÌÊÓƵ employee, member of the Board of Visitors, or their families, or representatives of 91¶ÌÊÓƵ employees or Board of Visitors members. Complete records will be maintained on all deaccessioned objects and their subsequent disposition. A deaccessioned object may be disposed of by one of the following methods:

      1. Transfer to another more appropriate department of the 91¶ÌÊÓƵ.

      2. Placement in the Study Collection or Ancillary Collection of the 91¶ÌÊÓƵ if appropriate.

      3. Donation to an appropriate non-profit gallery, museum or scholarly or cultural institution or organization, preferably within the Commonwealth of Virginia, especially if the object is from the Commonwealth.

      4. Repatriation to the entity or government that has established a legal claim to ownership of the object in accordance with international laws and repatriation acts.

      5. Sale at an advertised public auction or in the public marketplace in a manner that complies with 91¶ÌÊÓƵ law and that will best protect the interests, objectives, and legal status of the Gallery. Every means possible should be taken to ensure the object remains within a public institution.

      6. Destruction of the object only if the object has deteriorated beyond usefulness or presents a health hazard and no other method of disposal is appropriate.

      Use of Proceeds Derived from Deaccession/Disposal

      1. Any funds derived from the sale of deaccessioned objects from the permanent or study collection will be used solely for collection acquisitions.

      2. Any funds derived from the sale of works from the auxiliary collection, if the object is a gift-in-kind, shall be used for the support of the program for which it was given.

      3. Funds derived from other objects not in the permanent collection will be distributed at the discretion of the President of the 91¶ÌÊÓƵ according to the donor's wishes.

   Incoming Loans of ArtifactsÌý- The 91¶ÌÊÓƵ and/or Gallery may borrow objects from institutions and individuals for specific purposes such as exhibition and/or research if the following criteria are met:

   1. Loans of objects from individuals are limited to a time period of five years or less. Loans of objects from institutions are usually limited to a time period of five years or less, but may, under special circumstances, be arranged for a specified time period of over five years at the recommendation of the Gallery Director-Curator and with the approval of the Dean of the College of Arts and Letters or designee, or the President or designee. Authority for incoming loans is held by the Gallery Director-Curator.

   2. The 91¶ÌÊÓƵ or Gallery will not, under any circumstances, accept so-called indefinite or permanent loans.

   3. Objects on loan are to be provided with the same professional level of care afforded objects owned by the 91¶ÌÊÓƵ and Gallery. The 91¶ÌÊÓƵ and Gallery will not knowingly accept an object on loan if the physical condition is such that the object will not be able to withstand travel to and from the 91¶ÌÊÓƵ and/or exhibition. Lenders to the 91¶ÌÊÓƵ and Gallery shall have obtained the object legally and ethically and have a clear and verifiable title of ownership to the object. Complete records on all incoming loans are maintained in the Gallery offices by the Director-Curator and the Assistant Director.

   Outgoing Loans of ArtifactsÌý- The 91¶ÌÊÓƵ and Gallery may lend objects to qualified museums and other institutions for specific purposes such as exhibition and/or research for a specified time period if such institutions meet professional standards of collections care and management and the following criteria are met.

   1. The Gallery will not under any circumstances lend objects to individuals.

   2. Outgoing loans to qualified museums will be permitted for a period of five years or less with an option for renewal if agreeable to both parties.

   3. No object will be lent if its physical condition is such that the object will not be able to withstand travel and/or exhibition.

   4. The Gallery will not lend objects that are needed for its own exhibition and/or research purposes.

   5. Authority for outgoing loans lies with Gallery Director-Curator or designee, subject to the approval of the Dean of the College of Arts and Letters or designee, or the President or designee.

   Access to and Use of Collections and Collections RecordsÌý- The 91¶ÌÊÓƵ and Gallery will strive to make its collections and collections records available for study and examination by individuals for scholarly research and other legitimate purposes.

   The 91¶ÌÊÓƵ and Gallery will allow access to and use of its collections and collections records in a controlled, professional manner that protects the physical and intellectual integrity of the collections and collections records. Access to the collections and collections records will not be unreasonably denied. However, acknowledging its responsibility to safeguard the collections and collections records, the 91¶ÌÊÓƵ and Gallery reserve the right to control access to prevent the following:

   • Deterioration, mutilation, loss, or dislocation of objects and/or collections records.
   • Undue interference with the administrative, professional, and technical operations of the Gallery
   • Undue impact on the furnishing of services to other Gallery users.

   Authority for permitting and monitoring access to and use of the collections and collections records is shared by the Gallery Director-Curator and Assistant Director. Should questions arise regarding proper, legitimate access to and use of the collections and collections records, 91¶ÌÊÓƵ Counsel will be consulted.

   Reproductions of Objects in CollectionsÌý- The 91¶ÌÊÓƵ and Gallery reserve all rights for the reproduction of objects in the collections. No commercial reproduction (replica manufacture of any sort) is permitted without a written agreement approved by the Gallery Director-Curator and Dean of the College of Arts and Letters or designee. In general, non-educational or commercial reproductions of objects will not be approved. The 91¶ÌÊÓƵ reserves the right to license vendors, collect royalties, initiate charges, or otherwise control the use of its collections as may be deemed appropriate and lawful.

   Limitations on Public Photography of CollectionsÌý- No publication or commercial use of photographs taken in the 91¶ÌÊÓƵ's/Gallery's exhibition areas is permitted without the written approval of the Gallery Director-Curator or designee.

2. Ìý

1. 1. Accessions

      1. All offers of objects to the 91¶ÌÊÓƵ or the Gallery whether by donation, bequest, purchase, or transfer should be referred to the Gallery Director-Curator or designee.

      2. The object will be placed on temporary deposit until the next meeting of the Collections Committee and the potential donor will be given anÌýÌýreceipt for the object. The agreement receipt should be signed by the object's owner and the Gallery staff person receiving the object (the Gallery Director-Curator or designee). This receipt outlines the terms of temporary custody, the length of which should not exceed 90 days.

      3. The Director-Curator will call a meeting of the Collections Committee at which the potential donation is reviewed and considered for accessioning.

      4. After study and review of the object, the Collections Committee will determine whether to acquire the object and, if acquired, designate the appropriate collection for the acquisition.

      5. If the decision is made not to acquire the object, the Director-Curator will be responsible for returning the object to the owner, according to the terms of agreement outlined in the temporary custody receipt and documenting the return. (See "Incoming Loans," Part 3., ".")

      6. If the decision is made to acquire the object, the Gallery Director-Curator, in concert with the Vice President for 91¶ÌÊÓƵ Advancement or designee, will initiate and complete the acquisition of the object in the following manner:

         1. If the object is to be donated, a deed of gift should be signed by the donor and the Gallery Director-Curator. The deed of gift formally transfers the complete ownership of the object to the 91¶ÌÊÓƵ and shall be legally binding when signed and dated by both parties. A copy of the deed of gift shall be provided to the donor, and deed of gifts shall be kept on file in the Office of 91¶ÌÊÓƵ Advancement with copies to the Gallery Director-Curator.

         2. If the object is to be bequeathed, a copy of the pertinent section of the Will should be provided by the attorney or executor and shall be kept on file in the Office of 91¶ÌÊÓƵ Advancement with copies to the Gallery Director-Curator.

         3. If the object is to be purchased, the bill of sale or receipt will be kept in the Office of 91¶ÌÊÓƵ Advancement with copies to the Gallery Director- Curator.

   2. Deaccessions

      1. A written deaccession request listing the reason(s) for deaccession and recommended means of disposal must be signed by the Gallery Director-Curator and the Dean of the College of Arts and Letters or designee before submission to the President's Office and 91¶ÌÊÓƵ Counsel.

      2. The deaccession request must be approved by the President or designee in order to authorize the Gallery to proceed with the deaccession and disposal.

      3. If an object is a gift-in-kind donated for the sole purpose of benefiting the 91¶ÌÊÓƵ, college or program as the 91¶ÌÊÓƵ sees fit and is recommended for deaccession, it should be reviewed by the Collections Committee to determine if the work meets the requirements to be accessioned into the permanent collection prior to its deaccessioning and disposal. If these requirements are met, the object is to be transferred to the permanent collection.

   3. Incoming Loans of Artifacts

      1. For objects on loan from individuals or institutions for a period of five years or less, anÌýÌýmust be signed by the lender and an authorized Gallery staff person (the Gallery Director-Curator, or their designee). For objects on loan from institutions for a period of over five years, an Incoming Loan Agreement must be signed by the lender and the Gallery Director-Curator with prior approval from the President's Office. The Incoming Loan Agreement outlines the terms of the loan specifying the loan purpose, time period, insurance coverage, and the responsibilities of both the borrower and the lender.

      2. The Gallery normally photographs borrowed objects for recordkeeping and security purposes unless instructed by the lender not to do so. The Assistant Director will be responsible for the packing, shipping and/or transportation, and insurance coverage for borrowed objects. The lender is responsible for the cost of any object appraisal(s) if needed for insurance purposes. The Gallery will make all reasonable efforts to return borrowed objects to the lender in accordance with the terms outlined in the Incoming Loan Agreement and in accordance withÌý

   4. Outgoing Loans of Artifacts

      1. Museums seeking to borrow an object(s) must submit a written request to the Gallery Director-Curator stating the specific object(s), purpose, and time period of the proposed loan and guaranteeing payment of all costs associated with the loan including packing, shipping, and/or transportation, and insurance.

      2. AÌýÌýwill be submitted to the Gallery Director-Curator by the proposed borrower. The Dean of the College of Arts and Letters or designee and 91¶ÌÊÓƵ Counsel's office will jointly review the written loan request and the completed Standard Facilities Report to determine if the proposed borrower meets professional standards.

      3. If professional standards are not met by the proposed borrower, the Gallery Director-Curator or designee will notify the proposed borrower.

      4. If professional standards are met by the proposed borrower and if the loan of the object(s) will not endanger its physical condition or interfere with the Gallery's own exhibition and/or research needs, the Gallery Director-Curator may make a written recommendation to the Dean of the College of Arts and Letters or designee to approve the loan. Upon approval by the Dean or designee, the Gallery Director-Curator is authorized to proceed with the outgoing loan.

      5. AnÌýÌýmust be signed by the authorized representative of the borrowing gallery and the Director-Curator and Dean of the College of Arts and Letters or designee

   5. Access to and Use of Collections and Collections Records

      1. A written request specifying the objects and records to be examined (and if the researcher wishes to photograph the objects and in what format), the purpose and proposed date of the examination, and the researcher's current address and daytime phone number should be submitted to the Director-Curator.

      2. If the request meets with the established access policy of the Gallery, the Director-Curator will schedule an appointment with the researcher and will provide supervised access to the specified objects and records.

   6. Request for Photographs of Collections

      1. Requests for obtaining photographs of objects in the Gallery's collections will be submitted in writing to the Director-Curator.

      2. The 91¶ÌÊÓƵ will establish and adjust, as necessary, a fee schedule for all photographic and other copy work.

      3. Due to limited staff resources and time, the Gallery may be unable to fulfill a specific photographic request if there is not already an existing negative, transparency or digital image.

      4. Researchers wishing to photograph objects in the collections with their own photographic equipment may do so only with prior approval from the Gallery Director-Curator.

      5. Researchers wishing to hire an outside vendor to photograph objects in the collections may do so only with prior approval. The 91¶ÌÊÓƵ reserves the right to select the vendor to provide such special photographic services. The researcher must make direct arrangements with the vendor for payment of vendor services.

      6. If the request is to publish a photograph of an object, aÌýÌýwith the stipulation that the photograph will be appropriately credited and that the Gallery will be provided with a complimentary copy of the publication must be completed and submitted for approval by the Gallery Director-Curator.

      7. Purchase of copyrighted photographic prints or transparencies of the 91¶ÌÊÓƵ's collection does not convey to the purchaser any rights of copyright. Certain works of art as well as photographs of those works of art may be protected by copyright, trademark, or related interests not owned by the 91¶ÌÊÓƵ. The responsibility for ascertaining whether any such rights exist and for obtaining all other necessary permissions remains with the purchaser.

      8. The 91¶ÌÊÓƵ reserves the right to charge for the use of its copyrighted materials, photographs, and reproductions.

      9. The 91¶ÌÊÓƵ reserves the right to deny a request for photographs of the 91¶ÌÊÓƵ's collections if fulfilling the request would lead to one or more of the following conditions:

         • endangering the physical security of the collections
         • undermining the intellectual integrity of the collections
         • posing an excessive administrative burden
         • violating the terms of a loan
         • infringing on copyrighted material
         • involving a use for illegal or unethical purposes
         • violating privacy, publicity, or other personal rights of any party
         • libeling, slandering, or causing undue ridicule or embarrassment to any person or organization
         • implying an institutional endorsement of any product, company, or enterprise.
2. Ìý

Applicable records must be retained and then destroyed in accordance with theÌý.

Director-Curator, Baron and Ellin Gordon Galleries

91¶ÌÊÓƵ Policy 3400 - Fixed Asset Control